Grumpy Rick
Home Up

Editor's Note: Towards the end of 2000, I was worn out.  At the time a thousand people seemed to be making small, reasonable requests that deserved my attention. Unfortunately like erosion in the Grand Canyon, when you added them all up,  I felt like I was being slowly eaten away by these constant demands one little grain of sand at a time. 

Email in particular was driving me nuts - I was spending three hours a day just answering an insane volume of email. Then one day I got an email that angered me so much I completely snapped. I was prompted to write the following article below. 

I am pleased to say the situation improved immediately after I published this letter.  Or maybe just getting the stuff off my chest did the trick.  Or maybe I just learned to say 'no' more effectively. 

RA 01-20-02

11-21-00

Grumpy Old Rick Archer, aka the Arrogant Bastard.

ar·ro·gant adjective.

1. Making or disposed to make claims to unwarranted importance or consideration out of overbearing pride.

2. Marked by or arising from arrogance: an arrogant contempt for the weak or unimportant.

bas·tard noun.

1. An illegitimate child.

2. Something that is of irregular, inferior, or dubious origin.

3. Vulgar. Slang. A person, especially one who is held to be mean or disagreeable.

 

I had the unpleasant experience of being labeled an "Arrogant Bastard" by one of my dance students last week. This was the straw that broke the camel's back, so to speak. So I have decided to go public with what has been on my mind these past few days. 

Early in my dance career, a man named Lance Stevens hired me as a dance teacher at his studio known as "Stevens of Hollywood". He had white hair, a stern visage, and a strong penchant for sarcasm. I always used to marvel that someone as mean as this guy could stay in business as long as he did.

So now we fast-forward 20 years and here I see myself with the white hair, a strong penchant for sarcasm, and an increasing tendency towards loss of patience. Hmm. Sounds like Scrooge from the Dickens novel. How fitting as we head into the Christmas Season.

As we wrap up our 22nd year of business, I can only say the times are increasing when I feel overwhelmed running my dance studio. The studio has gotten more complex while my skills have become less sharp. For example, my memory – once razor sharp – has begun to desert me. This is why when people ask me to do something I often turn around and ask them to email me. And I also get teased for writing stuff on my hand.

Another thing that starts to go with age is Patience. For example, one time this year in May I lost my temper with some students who decided to bully me into giving them a refund in the middle of Practice Night 30 minutes after their class ended. The main reason I lost my temper was that I had a couple sitting on the couch waiting for me to teach them to Slow Dance at their wedding that weekend. This couple had been stood up by another instructor for their Private Lesson. I was the only person in the studio who could help them at the last minute. In other words, one couple was tying me up with a request I felt was unreasonable while another couple waited nervously for me to disengage to help them get married!  Still, this did not excuse my loss of temper. I am still upset with myself over that incident. I also made sure to apologize to the couple I yelled at. 

Marla Jennings made me smile the other night when I was collecting money at a Practice Night. I was collecting the money myself in order to free up a staff member so he could go and practice for the Lip Sync Show. I looked up and there were 10 people milling around in Room 6. I asked Marla what all the people were doing hanging around and her response was they were so excited to see me out of the DJ booth they didn't know how to behave. Her answer made me laugh, but it also set me to thinking. I hadn't realized I had become that distant.

I suppose I often hide in the DJ booth for the specific reason that I get pestered to do stuff every time I come out of there. When I walk around the studio, at times it feels like running a gauntlet as I get besieged from all directions. You would not believe the number of things I get hit with. On any given night for example, the range of requests would sound something like this:

· You have to dance with me/there aren't enough men here tonight.
·
Will you show me how to do that move again from Ghost Town 3 I learned last month?
·
Will you explain this syllabus pattern to me?
·
My girlfriend doesn't know how to Twostep/will you show her how?
·
We are out of red wine/beer/diet coke/toilet paper/paper towels.
·
Why don't you stock bottled water?
·
The music is lousy tonight/please play this or that.
·
Why don't you have that song? It is a number one hit right now.
·
Why isn't there someone in the DJ booth at all times to take requests?
·
Why can't I make more than one song request per night?
·
Why aren't there more cute guys here at practice night tonight?
·
Why aren't there more cute girls here at practice night tonight?
·
Why isn't the floor slicker? 
·
Why doesn't the floor have more traction?
·
Can I have a syllabus in the second week instead of the fourth?
·
Can I have a syllabus from last month/I lost mine/I wasn't here the last week of class…
·
Will you make some more popcorn even though there are only 15 minutes left?
·
Please show something else on the TV.
·
Why isn't such and such class scheduled next month?
·
Will you make me a copy of a CD?
·
Will you make me a copy of one of your Videotapes?
·
More Altoids/Different Altoids/Something like Altoids but containing no animal products.
·
More air-conditioning./ Less air-conditioning.
·
Don't take that beer!  I don't care if you are cleaning up. Come back later. 
·
Why can't I dance with my own partner during the John-Paul-Jones? 
·
Music louder/Music less loud/faster music/slower music.
·
What do you mean, I can't ask for everyone's email address? 
·
There is a buckle in my dance floor. Why don't you make some other class be in here instead?
·
I was late to class and didn't feel like showing the hall monitor my receipt. That's why I just walked past them.
·
I don't have my receipt. I don't know why my name isn't on the clipboard.
·
Will you find someone to come to my house to teach my Brownies to Swing Dance?
·
How about sending some teachers to a retirement home to teach line dancing?
·
My parents are here. Why can't I bring them in? What do you mean "no guests"?
·
What do you mean some students don't like to be watched? I don't mind if someone watches me!
·
Why can't I sign up for a class in the third or fourth week? I don't care if adding me slows the rest of the class down. 
·
Why can't I have a beer at Break time? 
·
I want to dance with my wife and no one else. We don't want to switch partners in class/why do we have to? 
·
I only want to dance with my same-sex lover. I don't want to dance with the opposite sex. And why won't you allow same-sex dancing at practice night?
·
This wine is too cheap. Why not buy a different brand of wine?
·
Less crowded classes. More instructors.
·
Why can't you give the syllabus out anytime I want one?
·
Why isn't Break longer? Shorter?
·
Why do you mind if I go to the restroom and walk through the middle of your class before Break time?
·
Why do you care if I go to the restroom after Break is over? I was too busy dancing in the Big Room to bother.
·
Why do you mind if my cell phone goes off in the middle of class?
·
Why can't I get a refund the week after classes have started?
·
Why do I have to pay the same price even though I started a week late?
·
Why doesn't my class have a makeup on another night?
·
Can I come next month to make up my class?
·
Why can't I switch my tuition from Group Classes to Private Lessons?
·
What can you do about those men who have bad breath and sweaty palms?
·
What's wrong with these women who can't follow?
·
Why can't I bring my children to SSQQ? Why can't my kids just sit and watch?
·
Why can't my kid go sit in the office with your kid while she does her homework?
·
Why don't you hire a babysitter? What do you mean this place is for "adults"?
·
I don't think anyone would mind if the children of 10 different parents all sat and watched in the same room… I am sure they would all be perfectly quiet.
·
Why don't you dedicate one of your dance rooms to be a place for children?
·
Why can't I videotape the dance class? No one in the room will mind, I am sure.
·
Why can't I dance the man's part in class even though I am a woman?

The truth of the matter is that every statement up there has been made at one time or another. Some of these requests are off the wall, but many of these requests or concerns taken individually are legitimate areas to address. Furthermore, as you surely have already thought to yourself, answering questions and dealing with customers comes with the territory. For me to complain about being asked questions is sort of like a Rock Star complaining about photographers. Boo Hoo.

But on the other hand put yourself in my shoes. When you add up all the various requests made over the course of every night for twenty years, there are going to be times when my patience runs out and I snap at people. I don't like this side of me, but sometimes I admit the well of human patience runs dry.

You may also wonder what brought this on. Well, I am frustrated because I am constantly asked to do more things than I have the time to handle. And then people get angry when I don't grant an exception or do things the way they want me to. (Hmm. Welcome to the real world.)

I doubt that my problems with feeling overwhelmed are any different from that of many of you who are busy with their work. It is simply that before you judge my studio's policies or me too harshly, you need to understand the pressures I deal with on a daily basis and where I am coming from with some of my remarks.

It is true I am increasingly giving shorter and curter responses to people's questions. It is also true I am sometimes blunt with people and that I don't always give their concerns as much attention as they would like. I would like to explain the reasons why.

Part of the problem is that at age 51 I don't have as much energy as I used to, yet I put in twelve hour days on a pretty regular basis. Although I view the Computer Age and the emergence of the Internet as a real blessing for my business, there is no doubt that it has made my life far more complex. I spend hours every day working on the SSQQ web site. In addition, I get an enormous volume of email. I have already answered 15 emails by noon today and read 20 more emails in addition to that. Yesterday on Monday I replied to 20 emails out of 36 sent to me. If I walk away from the email box for three days, the unread messages quickly pile up to over 100 messages. On Friday last week I received over 100 emails in one day alone from people responding to the latest Newsletter. In addition I handle much of the SSQQ phone duties throughout the day. 

Besides my writing for the web site, my Internet graphics work, and answering emails all day, I do video editing as well. You may have seen the first generation of SSQQ movie clips ranging from the Halloween Party to the Lip Sync Show to the Beach Ball, a Salsa Rueda clip, a couple of Whip Jack and Jill tapes, the Sock Hop, the Sadie Hawkins Manhunt, and perhaps the recent Al Gore spoof from Saturday Night Live. A fifteen-minute clip can easily take 2 or 3 days to create if I want to do an excellent job. Video editing is very time-consuming work. However on the flip side, attendance at the parties this year far exceeded attendance at the same parties last year simply because these clips are effective at promoting events. So I consider it time well spent. However it is also exhausting.

So by the time I get to work at night, I am already just as tired as anyone else who has worked a full-time job during the day, yet my job is just beginning. In other words, I put in very long hours.

This is not what I am complaining about. This only explains why I am not always "perky" as the evening progresses. The stuff that really gets under my skin are the constant complaints and bickering about why isn't it this way or why can't we make an exception, etc. Do you realize there are nights when we have well over 100 people at the studio? How are we supposed to run smoothly if we don't have rules? I am like a principal with 100 kids – we have to set rules and we have to follow them. Otherwise if people begin to disrespect the rules and go in whatever direction they damn well please, soon the place will become impossible to enjoy. You all have the right to make suggestions, but you also have to accept that sometimes my answer is "for the good of the group, not the individual". Furthermore you should understand that sometimes I don't have the time to explain "why" we do things the way we do. It may be time for me to start teaching or start the music in the DJ booth. Or a teacher needs me to show them a move before class. Or maybe a light needs to be replaced before class starts. There are many times when I simply don't have the time to explain things calmly... when I am at the studio I always have many things to do and not always enough time to do them!  Some things have to be cut short. 

The other thing that bothers me is no one seems to grasp the inherent consequence of making "exceptions". Of course it doesn't matter if we let one guest watch. But what about the other five people who wanted to bring a guest, but DIDN'T because they showed respect for the rule? And where are we supposed to put all these guests? And yes, some people really DON'T enjoy being watched while they stumble around trying to get the hang of it. The only reason they tolerate their own various mis-steps is they think everyone is in the same boat as they are. Then they look over and see someone staring at them while they struggle. How do you think this person feels? 

And of course it doesn't matter if we let one single solitary couple dance with each other. But if you do it for one, you have to do it for everyone. Pretty soon you will have couples in one corner and singles in the other. The group will splinter into two groups. The class will cease to operate as a group. You don't believe me?  Well, guess what, I saw this exact scenario happen with my own eyes. The capper came when a wife said her husband wasn't leading properly and would I leave what was left of the Circle to come help her husband. This incident occurred thirteen years ago.  http://ssqq.com/information/ssqq2.htm

No one finished that course in a good mood. The singles were disgusted, the couples were disgusted, and I was disgusted. So much for the Group concept. I was so disgusted at the outcome of this particular class that I vowed then and there that everyone would switch partners or be asked to leave the premises. If you sign up for a group, you do as the group does. Otherwise take a private lesson. I might add that all of our policies have developed as a reaction to disasters such as the story above. But I don't always have the time to explain the reasons behind every rule.  

And of course letting one kid watch is not going to make a bit of difference. But look around - over half the people in the room is a parent!!  If every parent in the room brought their child to the studio, then the nature of our business would change. SSQQ is meant to be a place where parents get to be "kids" themselves having good, clean fun with other "kids" their own age for a while. If we allow real kids in the place, then the adults have to behave more like parents. In other words, SSQQ is meant to be a playground for adults, not kids. Besides, Kids have their own places to hang out. 

And what about cell phones? Sure, one phone doesn't matter. However I remember the night when one person's phone or another person's beeper went off about 5 times in a ten minute span. What is our world coming to??

I would now like to share some of the behind-the-scenes moments of running a dance studio. The following emails are from a 10-day period in November.  

EMAIL ONE:

Hey there - Quick request: can we have a Monday Swing night of just songs from the 30s and 40s?
S

RESPONSE:

No, you cannot have an entire night of 30s and 40s Swing music unless you talk the entire crowd into it. Personally I wouldn't mind at all, but you would have to build a consensus. I am too busy to fool with it so it is up to you to do the talking.

I apologize for not getting back to you sooner on this. The truth is the moment the Halloween Party ended the stupid election snafu kicked in. I was so depressed I didn't do any work for four days. By the time I cheered up I had lots of work to catch up on. I am just now catching up on email correspondence from earlier in the month.
Rick Archer

EMAIL TWO:

I am currently in the Beginning Lindy Hop class that takes place on Mondays with Maureen and am just writing to request that if possible I would love to continue the class at an Intermediate Level in December on Mondays. However, I saw that the class is not being offered on the December schedule. Therefore, I am writing to request that you consider offering the class on Mondays in December for those of us who would like to LH on a more advanced level. As it is, the classes are not offered that often and even at the beginner's level are only offered once a week compared to the 2 and 3 times a week that beginning and intermediate swing and salsa are offered. So it would be great if one more slot could be created for us, Lindy lovers, to continue to improve our craft without having to go elsewhere to gain the experience and practice.
Sincerely, K

RESPONSE:

I am sorry, but the decision was made a week ago. There are 1,000 schedules printed. I had not one single request for Intermediate Lindy at the time I put the December schedule together.
Rick Archer

EMAIL THREE:

I have two suggestions I would like to make.

1. How about putting up a suggestion box!

2. I would really enjoy having bottled water in the kitchen as a choice on practice nights over soda and alcohol. Sam's club sells a 24 case of Deja Blue for around $5.00.

Thanks, M

RESPONSE:

We sold water once before.

To go deeper into the problem - the water is much more expensive than the soft drinks. It is also much heavier and takes up much more room in the truck as well, meaning we can fit less soft drinks and beer in there. Despite all the logistic problems, an even bigger headache was listening to the people who complained about the higher cost ($0.75 a bottle) versus fifty cents for the cokes. I got tired of explaining why water cost more than cokes. Actually I am not even sure why it cost more, but it did.

Then what happened was people wanted the water at practice night for free. Some people would drink half a bottle, forget where they put it, then abandon their water and go get another one later, a big waste considering how hard I worked to get that water there in the first place. Others took several bottles home with them at the end of practice night, a big source of irritation for me.

Suddenly I was going to Sam's once a week instead of once a month just keeping up with the water. All the while we had a perfectly good water fountain just sitting there laughing at me.

The end of the bottled water era was one of the best moves I made all year. People are welcome to bring their own bottled water. Unlike soft drinks, water "keeps" very well due to the special container. I should know since I carry them in the car myself. 

Regarding suggestions, the easiest way is to email them to me. 
Rick Archer

EMAIL FOUR:

While I have your attention, a guy friend of mine was talking about SSQQ the other night and said that he'd be interested in taking some C&W classes except that the only times they're offered is on Fridays, Sundays, and Wednesdays. Now that sounds like a generous schedule, but he said that in today's world of divorced dads, most guys have their kids every other weekend and on Wednesday evenings. The only way he can make it to class those times is to drop off his kids early. Just a thought, but perhaps you should consider offering one C&W class per week on Tuesday or Thursday.
J

RESPONSE:

Re changing the schedule, you have to be kidding. I would have to shift two entire teams of 8 instructors from one night to another. I would have to contact Leisure Learning and change classes that are already listed for 2001. Then all the students who are used to coming on one night would be asked to switch to another night.

All for some guy who doesn't want to drop his kids off early??
Rick Archer

EMAIL FIVE:

Hi Rick,
A number of us taking Beginning Lindy Hop (Monday nights) were lamenting that there will be no Intermediate Lindy next month.

Maureen suggested that if enough of us were to ask for it, there might be a chance that could change. So, figured it couldn't hurt to ask... Would a list of interested people affect our odds?
K

RESPONSE:

The early December schedule (November/December) had no Intermediate Lindy class listed. Not one person said a word.

Now that I have printed the final December schedule (December/January), suddenly three people want a class after the fact. As I have already said to the other two people who have written, the time to ask is before the schedule is made.

Maureen can very easily teach an Intermediate Lindy class on Sunday afternoons if this is agreeable with her. But I do not wish to divide Mondays into 7 classes during the slowest month of the year.
Rick Archer

EMAIL SIX:

Rick, Here is my vote to have Maureen teach Intermediate Lindy Hop next month.

By the way, last Monday night there seemed to be a change in the musical selection at the practice. Although I like most of the songs that are usually played, it was refreshing to have a change!
B

RESPONSE:

B, I am not sure if I ever responded to you – I was swamped trying to get my Newsletter out last Thursday.

I would have more than willingly offered the Intermediate Lindy class except that everyone asked for it after the schedule was printed. The biggest problem running a special class like this is getting enough people in the first place, but in this case it would be harder after all the advertising has been published.

In addition, we have severe logistical problems in December in that one of our Monday staff has to have surgery and therefore we don't have enough teachers to offer 7 classes.

Thank you for the nice words on the music.
Rick Archer

EMAIL SEVEN:

Dear Rick,
We would like to hear some different music on Monday practice nights. It seems that we hear the same songs every week and there are a bunch of them that we just don't care for. Instead of the set that includes Dire Straits, Billy Joel, Creedence Clearwater Revival, etc., etc., would you play some current swing from bands like Big Bad Voodoo Daddy, Cherry Poppin' Daddies, Royal Crown Review, 5 In Love With Mary, etc. There is sooooo much good new swing out there - let's mix it up on practice night!

We would also like to request that you offer Intermediate Lindy Hop on Monday nights with Maureen in December. We have really enjoyed the beginning Lindy class and have progressed very quickly. Of the 10 couples in our class, all of them were enthusiastic tonight about continuing on next month.

Thanks, R

RESPONSE:

When making a schedule request, don't wait till the schedule is already published and printed.

You can make music requests at the practice night if you wish. I had a person ask for strictly 30s and 40s music as well. It is impossible to please everybody.

EMAIL EIGHT: (This is the student's answer to my response in EMAIL SEVEN above)

Kiss my ass you arrogant bastard. This is not the first time we have been subjected to your attitude and we are tired of it. I don't know whether you can really dance or not but I do know that you have no clue about how to treat your customers. Not only have we been paying customers for the last seven months and we were looking forward to many more, we have taken every opportunity to praise your school and recommend it to other people. Even though I really like your instructors, I could not in good conscience ever recommend your school to anyone again. Every request we have ever made, be it via email or in person, has been met with what appears to be contempt. We realize that you cannot please everyone. What we failed to realize is that you were not interested in our opinion.
R

RESPONSE:

You are way out of line.

I intend to visit the Beginning Lindy class on Monday. I will give you the opportunity to say these same words to my face.
Rick Archer

EMAIL NINE (from the sender of Email 8 eleven days further down the road):

Rick,
I followed that link to your web page and read what you had to say. When I first read those definitions I was truly surprised at how well they conveyed the feeling that I had at the time. I did give this whole situation some more thought though and I realized that there is a possibility that I misread you. It is not always possible to separate the actions from the person and in most cases it is probably not the right thing to do. I still take exception to the events that lead up to my email but I realize that what I was seeing may not be an accurate portrait of who you are and I might have seen something different had I taken a different approach. If this is the case I offer an apology for the words I used.

RESPONSE:

Thank you.
Rick Archer

.......................

To summarize matters, I love my dance studio very much. Other than my family, it is the most important thing in the world to me. I am deeply grateful to the many students and staff who contribute to help me have a very nice life. But at the same time I have found I increasingly have little choice but to wrap a shell around myself in self-defense and stay guarded. Running this studio has become a daily exercise in politics and diplomacy that seems to increasingly out-strip the inherent social skills I was given at birth. 

In life, everybody wants things just the way they want it. This is okay. It doesn't hurt to ask. Some wishes I can grant, some I can't, and some I won't. For every exception I make for someone, you would be surprised at the number of people who object to the change. The simplest example is air-conditioning. Turn it up, someone complains. Turn it down, someone complains.

Or music. Email #1 asked for strictly 30s/40s swing music. Email #8 asked for just the opposite music: 90s Swing. Email #6 praised the exact same music that Email #8 slammed. As I said, I cannot please everybody. Simply make a request. 

Nor do I always have the patience to explain at length the reasons why a request is a bit too much. Last night I walked through the studio only to have my arm grabbed. A man looked deep into my eyes, then whispered fiercely in a husky voice, "I know a way you could make a lot of money!  Bottled Water!!"  I felt myself bristle for the anticipated discussion, but fortunately he kept right on going. This time I was spared, but usually it is a no-win situation. 

If I brush someone off, I take the chance of being labeled "arrogant". If I tell a white lie that I am busy, then I have to go back and hide in the DJ booth for the rest of the night. If I allow myself to get into a discussion on a topic I have already been over a dozen times in the past six months, then I feel cornered. Where is Miss Manners when I need her? 

I don't always have 20 minutes to discuss and explain the reason why we don't serve bottled water. Nor do I have 20 minutes to explain that many students do not particularly appreciate having their class watched by an outsider. Or why we switch partners. Or why I don't have the time to look for animal-substance free Altoids alternatives. Nor do I always have the patience to explain that Sam's was out of their favorite Altoids flavors the last time I went. Sometimes I just don't have the time or energy to give the Slow-Slow answer, but rather just a Quick-Quick answer and turn my attention to the next problem.

But the true character of people shows when you turn them down. Some people are polite when you say no, and then other people turn around and tell you to kiss their ass. 

I met with the man and his wife before class earlier this week and listened to their grievances. I gave them my side of the story and said I was sorry for their perceived wrongs. I left with the impression they were not as angry with my actions as they were with my tone. I imagine they had the right to feel I was short with them, but this still does not excuse this man's highly inappropriate choice of words. I must admit though that I felt much better after I received Email #9.   

I will now apologize to all the others of you who believe "the shoe fits". I am sorry to all of you who think I am arrogant. Forgive me if sometimes I give that impression. Maybe you should try to deal with the complicated needs of 60 instructors, 20 volunteers, and the demands of 1,000 students a week. Then after you succeed for a week, try it over a period of twenty years.

Rather than be called an "Arrogant Bastard", I think I would prefer to be known as Mr. Porcupine. Or maybe "Mr. Porcupine, Sir". The truth is I do not believe I am arrogant. However I will admit there are times when I am short with people. I am either trying to avoid being tied up by a long talk on an ancient subject or I may simply be in a hurry to handle other problems.

I am well aware that the majority of the people I come into contact with treat me with great courtesy and respect. And for this I am grateful. But when you deal with as many people as I do, even the smallest requests start to add up. I am not Atlas and I am not Prometheus – I need to have air to breathe just like any other flesh and blood human being.

In closing, I would like to say one final thing: Mr. Lance Stevens, wherever you are these days, if I had known then what I know now, I would not have judged you so harshly. Please forgive me.

Rick Archer

 
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