DYNAMIC GRAPHICS BULLIES ITS
CUSTOMERS
Written by Rick Archer
First Draft: October 2004
Updated: August 2007
Dynamic Graphics is a company that
shows little regard for its customers or its finest artist.
Learn how
$50,000 Worth of Business and 20 Years of Loyalty mean nothing
to these corporate geniuses.
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MY
ADMIRATION FOR THE ARTIST NAMED CHRIS
In November 1984 I received my first issue
of Clipper, a magazine of Clip Art. Clipper was the property of Dynamic Graphics,
a commercial art service headquartered in Peoria, Illinois.
My first Clipper issue did not have many useable pictures, but one picture did
catch my eye. This silly little Valentine picture on the right started a love affair
I had with a Dynamic Graphics artist that lasted nineteen years. I
used the Valentine picture a Poster I created to advertise
my
upcoming Valentines Dance Party. To paraphrase Bogie,
it was the start of a great friendship.
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Over the next few years I developed
a rapport with a woman named Marilyn Jennings who was a customer service
representative at Dynamic Graphics. I asked her about the artist, but
was gently rebuffed. I discovered she was
sworn to secrecy. Curious, I pressed a little bit.
Marilyn revealed that the company was
super-paranoid about revealing his identity.
Apparently this particular artist was so gifted DG was
afraid someone would either steal him away or contact him to
create original artwork and bypass them completely.
I told Marilyn I was bitterly not to learn more about him
since I admired his artwork greatly.
Marilyn made me an offer. She
promised to research all the back issues of Clipper magazine and find his
previous work for me. I could add these archived
drawings to my growing collection.
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Of course I paid a pretty penny for each picture, but
I didn't mind. To me, each picture was
worth the price. The picture here on the left was one I purchased from a
previous issue thanks to Marilyn's research. A copy of this picture hangs on the wall at
my dance studio
in Room 4.
One day Marilyn
relented a little. She literally
whispered over the phone in great confidence that his name was "Chris".
She added that she believed Chris worked out
of Chicago. And that was all she wrote. Marilyn said she could
lose her job just for revealing that much! In nineteen years, that's all I
ever learned about the artist named Chris from Chicago.
Marilyn has been retired now for several years and I think
"Chris" is too so I feel comfortable writing a story about
both of them.
My dance students definitely recognize his style. I have
enlarged copies of his pictures hanging all
over my studio!!
Now you know where all those amazing pictures at the studio come from.
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As you might gather, I
accepted the position that Dynamic Graphics
took. Maybe they really were worried someone would cut them out of the middle
and commission artwork from Chris directly. As long as I got a couple
Chris pictures in every issue, I didn't mind paying the $40 or $50
charge.
Then I
discovered there were more Chris pictures in another magazine published by
Dynamic Graphics called "PMS". This absurd title was short for "Print
Media Services". I wonder if their staff was aware the readers might
think it stood for something else. I certainly got my fair share of
laughs out of it!
Still I couldn't bear the thought of missing a Chris picture. I
started to subscribe to PMS as well as Clipper each month. Now Dynamic
Graphics was sending me two issues a month to the tune of over $100.
I didn't care. I was happy to get the extra Chris artwork!
Each issue had one
entire page devoted to photography. This was wasted
space in my opinion. Dynamic Graphics usually put 4 photos to a page.
I never used
a single one. I just wanted the artwork!
The photography was a nuisance, but
since it was only one page per issue, I decided to ignore it.
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Once a year Dynamic Graphics
would send out a questionnaire asking me to rate
their service and offer my opinions. Every year I would say, "cut the
photography and stick to your strength which is artwork."
After
all "Graphics" is "Artwork". Anybody can take a
photograph, but it
takes tremendous skill to draw pictures of the quality you see here in my article.
So far every picture has been a "Chris" drawing. His work is so gifted it takes my
breath away!! And a lot of the other Dynamic Graphics artwork was
valuable to me as well.
In 1996, the studio was running pretty low on funds. We
were barely breaking even, so I canceled half my subscription. I no
longer received PMS. Fortunately along came Swing Dancing in 1998
and our coffers were soon restored. I reinstated my PMS subscription
after a two-year break.
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Not longer after that, several developments occurred with Dynamic
Graphics. First they offered me a third Art service known as Designers
Club at a discount. I didn't care for it much, but the discount made it
seem worth a gamble.
More important, DG began to offer their artwork on CDs as
well as in magazine form. This came in handy. I established
a rudimentary SSQQ web site
in 1998. This move would eventually take my dance studio into a great
period of expansion.
Through the tutelage of my friend Gary Richardson, I had recently begun to use
computers for my graphics. My web site was awesome thanks to the
Dynamic Graphics clip art!
Now this new CD
format meant the pictures would be in color as well as black and white. I drooled at the thought of getting color!! So I signed up for the
CD-Rom format, a move I never regretted. Now I began to receive Chris'
marvelous artwork with color added!! I was pretty excited!
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1998 was about the
same time Dynamic Graphics started pushing its photography
branch. Calling this division Creatas, offer after offer
came rolling in to get
exciting photographs. Spare me. All I did was yawn. This
company
really didn't get it. I originally signed up with them
for ARTWORK. I was paying them to give me
something I could not create myself.
I already knew how to take a stupid photograph.
Practically any moron can do that including me. If I wanted a
photograph, I had a camera. I could take a photo all by
myself. But I could not draw a picture myself!
It takes an artist to create art. I
would pay for artwork, but I was disgusted at paying for photos. I had
no need for their photos.
Meanwhile
Dynamic Graphics continued to send these huge photo albums full of one picture after
another at no charge. Some of those catalogues had hundreds of
photographs. I didn't care. I would
glance through them, roll my eyes in disgust, and throw them away.
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What marketing genius was behind the decision
to move to Photography? I figured they were
testing the market. It turned out the
catalogues were a precursor. Sure enough, one day there was an ominous development. With my
November 2000 Clipper CD came a big yellow sticker proclaiming "Now
includes 20 Royalty Free Stock Photos Each Month!"
oh happyhappyjoyjoy! What did I ever do
to get so lucky!? I was
disgusted. The usual 4 Photographs per issue was now expanding to 20.
Oh, wonderful. Just what I need.
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The photo of the glasses pictured
on the left is one of the photographs from a DG issue I was
forced to pay for. If I needed a picture of glasses,
don't you imagine my digital camera could do the job at NO
CHARGE? Why was I being forced to pay someone else to take random
pictures?
Dynamic Graphics never bothered to explain its
decision. They never explained why they expected
people like me to pay for a series of
random photographs of mundane things like glasses and the
whatnot.
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The decision was
irreversible. Dynamic Graphics
had decided to offer fewer pictures and more photos. I
didn't like this change one bit. I was now being charged for a
bunch of photographs that had absolutely no relation to my business.
All the
while DG was sending me three CDs a month: Clipper, PMS, and Designers
Club. I believe the monthly bill was around $160.
There were more and
more photographs and fewer Chris pictures in each issue. Plus the
Designers Club material was practically useless. Since the studio
was doing okay financially, I went along with the slow erosion of value in
the product, but I wasn't happy about it at all.
Give me more Chris pictures per issue and cut out the nonsense.
Dynamic Graphics started as an art service. Why not stick to what you
are good at? If the service wanted to expand its product, okay,
I can understand that, but why force the decision down the throats of its
customers?
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There was one
development that I did approve of - I loved the new color! There were many beautiful Dynamic Graphic
pictures that took my breath away. The color made these pictures even
more special. The color pictures worked perfectly with
the Internet.
My dance studio web site was getting prettier all
the time!! For example, in 2000, Swing Dancing was exploding
across the country. Just imagine how effective this Chris
image of Swing Dancers was for promoting a Swing Dance Party at my
studio!!
This Chris artwork was powerful stuff indeed.
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By the year 2000,
my art collection had become
vast. Sixteen years of collecting Dynamic Graphics artwork meant
that I had several pictures to choose from for practically any
situation including lots of Halloween Chris pictures like the one on the
right. I received many compliments on my use of artwork on the web
site.
I told anyone who asked I owed my success to Dynamic Graphics.
The studio had spent thousands of dollars, but I considered
it money well spent.
My SSQQ.com website was incredibly popular. From the
low spot of 1995, by 2000 my business had doubled thanks to
the Internet. My studio's success was a shining
example of how Dynamic Graphics artwork used the right way
could dramatically expand a business.
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I paid good money for
this picture of cherries |
I also added Dynamics Graphics had done well by me as
well. By the end of 2004, I estimate my dance studio had sent this company
somewhere around $50,000.
Do the math: $150 a month times 12 is $3,000. Twenty
years times $3,000 equals $60,000.
Yes, Dynamic Graphics had probably
paid a few bills along the way with our checks. However, until the Photography
Era began I never begrudged them one cent.
But being forced to pay good money for photos of cherries
started to poison my attitude.
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I paid money for this picture too |
I am sorry to say,
but as we began the new Millennium, something unfortunate
was going on over at Dynamic Graphics. I had
absolutely no idea why, but Dynamic Graphics seemed to go
downhill.
January 2003 marked a fateful moment. I received an announcement
that Clipper and Designers Club were being phased out and replaced by a
new service known as Liquid Library.
I would still be getting
two CDs a month. However there was a catch: Before I received two
Artwork CDs. Now one CD would be totally artwork while the other would be
nothing but photographs. And I would be paying even more money.
One entire CD per month of photographs!! Such a deal!!
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Yeah, this picture too |
'What on
earth did I do to deserve this treasure?', I wondered. Suddenly I
had a full CD full of photographs of strangers frowning at computers,
glasses on a desk, a crying baby, and
cherries. What was I going to do with a picture of a
fat guy taking a hike?
I was paying $100 a month for 2 CDs. That meant
I was forking over
$50 a month for a service I never asked for, never wanted, and had no use
for. Furthermore I was given no choice.
I actually got the feeling that Dynamic Graphics could not give away
these photographs nor could they sell these photographs, so they decided
to FORCE us into paying for them whether we liked it or not.
I got on the phone and asked the customer rep if I could just pay for the Artwork and skip
the photographs. No luck. She said this was not an option.
To get the artwork, I had to continue to pay for the photos.
$50 for a fat guy hiking. Such a deal!!
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And this picture too. |
I patiently explained to the woman that if I needed a
photograph, I could take one with my own camera. Why were they
making their customers pay for photos that could be taken
for free?
She said that Dynamic
Graphics hired leading professionals to use their artistic talent to
take quality pictures. Plus these Photographs were Royalty Free!! Oh boy!
So are my own photographs.
I added that most of the photographs were of total strangers. I
said my customers preferred pictures of themselves on the web site, not
people they didn't know. I said people did not really care about
pictures of dogs, cherries, crying babies and glasses.
I mean, don't get me wrong, I like dogs, but do I really
have to pay for a dog photograph when I can take a picture
of my own dog?
The customer representative basically
replied, "This is the way it's going to be. Take it or leave it."
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Fortunately for
Dynamic Graphics, they were either lucky or they had the
sense to include some Chris pictures in the first edition of
Liquid Library. The
thought of missing even one new Chris picture was more than I could
bear. So I gave in and continued my subscription.
If I had known Chris was not going to be part of the
Liquid Library for much longer, I probably would have quit on the
spot. Chris only stuck around for eight more months. The last time I saw a new Chris picture was in
October 2003. I instantly noted his absence from the
November 2003 issue. For a while, whenever I received my new issues of artwork,
I would open it with excitement hoping Chris would make a comeback.
But after a year, I gave up. It
was with great sadness that I accepted that
I had seen the last of any original Chris pictures.
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I think this artist was a genius.
This man had an
amazing talent. I still don't understand why he is not famous.
This man's artwork was brilliant. Why haven't I ever seen a story in a magazine about his
work? No one has ever painted a picture of a beautiful
woman with more style!
No explanation for the departure of Chris was ever given by Dynamic Graphics. I can only assume that
perhaps he was approaching retirement age. However
sometimes I wonder if he were forced out. You would think they would
acknowledge the passing of their greatest artist, but I guess not.
I have always wondered if his name was
"Chris". It's difficult to admire a phantom. All I ever wanted
to do was thank him for sharing his gift. Too bad the company was so
paranoid they could never even acknowledge his name.
You never know how vulnerable these corporate giants might
become if they give any credit to the people who helped build them.
DG was lucky to have him. It was the artwork of Chris that
caught my eye in the very beginning and it was his work that
kept me wishing for more. For twenty years, I
worshipped the ground he walked on. Without Chris and
his drawings, I would have told Dynamic Graphics what they
could do with their stupid photographs a long time ago.
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When Dynamic Graphics
sends me quality pictures like this, I am
thrilled |
How I am Rewarded for $50,000 and 20 Years of Loyalty
In
September 2004, a stupid situation developed when a woman
from Dynamic Graphics named Patricia
Mann started fussing at me over an unpaid bill.
Patricia Mann had first called the
dance studio in late August 2004 to complain about a missing
payment. My ex-wife Judy Archer answered the call
herself and said she would handle it. At the time,
I was
just two months away from my 20th anniversary of subscribing
to the Dynamic Graphics art service. If Judy promised Ms. Mann she would pay the bill, she
meant it. Judy paid all of our bills promptly.
Any glance at our perfect twenty year payment record with
Dynamic Graphics would show we were good customers.
But they didn't trust us - a couple days later I received the
first fax my business had gotten in the past three years. I had
forgotten anyone even had the correct phone number!! The fax
said we owed Dynamic Graphics $180 for an unpaid bill.
$180 was payment for one month.
I went to the
checkbook and noticed that Judy had just sent in a payment for the same
amount. At the time, I incorrectly assumed this was the bill Ms. Mann was talking
about. So I quit worrying about the bill.
One week later I received an email
from Ms. Mann inquiring about the unpaid bill.
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----Original Message----- From: Patricia L. Mann Sent: Wednesday, September 08, 2004 3:19 PM To: dance@ssqq.com Subject: liquid library service Importance: High
Good afternoon Rick.
I have been unable to reach you by phone to advise of a past due
invoice.
The invoice number is 348208 in the amount of $181.74.
This invoice is
for the May liquid library and the June Print Media service. The invoice
is dated April 30th 2004.
We have received payments on a regular basis except for this invoice.
We have a special service available to all our customers at no
additional charge to you. We can auto charge your monthly invoices on a
credit card. After your card is charged each month we would send you a
paid receipt.
Please advise if I can set you up for auto charge and when we can expect
remittance for the past due invoice as it is delaying your current
monthly shipments.
I look forward to hearing from you soon.
Thank you for allowing us the privilege of being your image provider.
Have a great day.
Patricia L. Mann Dynamic Graphics Group Account Specialist
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Here is a DG Photograph
I was forced to pay or |

A vintage 1995 Chris picture |
-----Original Message----- From:
Rick Archer Sent: Wednesday, September 08, 2004 5:27 PM To: Patricia L. Mann Subject: RE: liquid library service
Ms. Mann,
This is the third time you have contacted us.
First my assistant
received your phone call. Then I received your fax. Now you have emailed
me. We get the message.
Please calm down.
I don't know what the problem is.
We sent the check -
I saw the listing with my own eyes.
We have always sent the check for nearly twenty
years. You can trust us. When the returned checks come in, I can see if
the missing check is there
and handle it then.
Don't worry about it.
I will simply pay the balance if after glancing
thru the returned checks I see the one we sent to you
is still missing.
Rick Archer
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-----Original Message-----
From: Patricia L. Mann
Sent: Thursday, September 09, 2004 8:42 AM
To: dance@ssqq.com
Subject: RE: liquid library service
Good morning Rick. I apologize for bothering you.
With this reply I will note your account and watch for the payment.
I appreciate the reply. With this it will not be necessary to contact
you again regarding this matter.
Have a great day.
Patricia Mann
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Finally some nudity!! Here is an exciting
photograph of a naked pregnant woman.
I was forced to pay for this.
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Here is an example of the artwork that makes Dynamic
Graphics a quality service. |
-----Original Message-----
From: Rick Archer
Sent: Tuesday, September 14, 2004 7:07 AM
To: Patricia L. Mann
Subject: RE: liquid library service
Received canceled checks today and our check to dynamic graphics was in
there.
#4971 dated august 17 in the exact amount of 181.74
Rick Archer
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-----Original Message-----
From: Patricia L. Mann
Sent: Tuesday, September 14, 2004 8:33 AM
To: dance@ssqq.com
Subject: RE: liquid library service
Good morning Rick.
We are in receipt of check number 4971. Invoice number 375333 was paid
with that check. We have not received payment for invoice 348208 dated
April 30th for the May Liquid Library and June Print Media Service. Once
this invoice is taken care of you will be paid to current.
If you like, we can place that on a credit card to clear immediately or
you can submit a check.
I look forward to hearing from you.
Have a great day.
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Oh boy, a picture of a plastic warning light!!
Why I am forced to pay for
this is beyond me.
My digital
camera could do just as well. |

No one paints a beautiful woman like Chris.
He is a genius. |
-----Original Message-----
From: Rick Archer
Sent: Tuesday, September 14, 2004 10:21 AM
To: Patricia L. Mann
Subject: RE: liquid library service
Now I understand. It is obvious that somehow the
April bill got misplaced.
However I am reluctant to pay by credit card. The simple thing to do is
add in the missing payment when I receive my next bill.
By the way, I noticed I haven't received a Dynamic
Graphics mailing in some time.
If I am not mistaken, I haven't seen anything since
early July.
Nor have I seen a bill.
You aren't by some chance "holding" my shipments till I pay this
one outstanding bill,
are you?
Rick Archer
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-----Original Message-----
From: Patricia L. Mann
Sent: Tuesday, September 14, 2004 10:40 AM
To: dance@ssqq.com
Subject: RE: liquid library service
The only shipment I can see that is being held is your September
shipment.
We have made a shipment each month to the following address: xxxx
street, Houston, TX 77007.
If this is not correct please advise so I can correct your account.
Please let me know the last issue you received. I will replace the
issues missing.
I am unable to release the September shipment until the open invoice is
remitted. Do you have a fax number and I will fax it to you?
If not, let me know and I will place a copy of that invoice in the mail.
Thank you
Patricia L. Mann
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Wow!! They sent me a photo of a
metal chair! Just what I hoped for!!
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-----Original Message-----
From: Rick Archer
Sent: Tuesday, September 14, 2004 11:25 AM
To: Patricia L. Mann
Subject: RE: liquid library service
Ms. Mann, I don't appreciate having any shipment
withheld for several reasons.
First, you have earned the distinction of being the most aggressive bill
pursuer in the history of my business.
For twenty-five years, my
company has paid every bill ever sent to us. We have never had a bill
collector contact us before so pardon my
inexperience with the phenomenon.
You
also hold the record for
variety of approaches with three different forms of contact.
You have a) phoned us, b) faxed us, and c) contacted us via email.
I have been doing business with your company since 1984. We
are just one month short of TWENTY YEARS. That means out of 239 bills
to date, we have paid 238 on time plus you are in possession of an email
from me promising to pay the missing bill as
well.
But this isn't good enough for you, is it? No,
my current issue will be withheld until payment is made.
I imagine the root of the problem is very simple: We never received
the bill. As you can see from our recent payment, check number 4971,
we paid the latest bill we have received. But rather than believe us
over the postal system, you assume the worst.
Today I have just found out for the first time there is a missing bill
from April. This means your company is in jeopardy of being swindled
for $181 from a customer that has been a loyal, constant customer for
twenty years. To protect yourself from further damage, you have
withheld shipment of more pictures until the bill has been paid.
Do you understand the meaning of the word "overreact"?
Furthermore
while I have your attention, I have a complaint.
I have been paying god only knows how much money for the
past couple years for an endless series of photographs that I never
asked for and HAVE NEVER USED.
I don't need your professional pictures
of smiling faces of anonymous people I don't know or care about.
If I
want a photograph, I imagine my digital camera will take any picture I
want.
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Cool!! A picture of some guy in a suit holding
up a barbell!! |
I only pay for these photographs because I am forced to.
I originally signed up for ARTWORK, but now you stuff these useless
photographs down my throat and expect me to pay for them in order to
receive the ARTWORK I originally contracted to buy. I hate your
policy.
Any company with a conscience would allow me to pay
for what I want and not require me to pay for something I don't want
by using the artwork as ransom. It is basically akin to asking a
father for the hand of a young woman in marriage
only to be told to take the ugly sister as part of the deal.
Now I have just discovered you are strong-arming me for a payment on a
bill that was most likely lost in the mail. You are not
willing to take a
chance even though you have an email from me promising to pay any
outstanding balance just as soon as I get my returned checks - which
was today. Nice touch.
Excuse me for not appreciating how I am treated in the least.
I will send you a check today.
My congratulations to you on your
successful bill collection effort. All you ever had to do was simply
add the unpaid balance to the next bill.
Rick Archer
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-----Original Message-----
From: Patricia L. Mann
Sent: Tuesday, September 14, 2004 2:10 PM
To: dance@ssqq.com
Subject: re: liquid library
Good afternoon Rick. I apologize that I have angered you in any way.
I feel if we had been able to speak personally we would not have gotten
off on the wrong foot.
It is not now, nor has it ever been in the past my practice to be overly
aggressive or to strong arm anyone I contact. In no way have I felt that
we were in jeopardy of being swindled.
The September issue will be released for shipment immediately.
(Rick's Note: On Sept 22, more
than one week later, I still had not received this issue. So
much for "immediately")
Liquid Library is an all purpose image resource
and we try hard to include content that meets the needs of all our
customers.
I sincerely thank you for allowing us the privilege of being your image
provider, and hope you will accept my apology.
If you will verify your address is correct and the issues you are
missing, I will have them replaced.
Have a great day.
Patricia L. Mann
|

Oh boy, a picture of a hand using
a Mouse!
I love this one!
|
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-----Original Message----- From:
Rick Archer Sent: Tuesday, September 14, 2004 3:26 PM To: Patricia L. Mann Subject: complaint of month liquid library
Thank you for the form letter.
You did not even begin to address my concern about being expected to pay
for Photography CDs that I do not want.
Over the years I have used your artwork extensively.
For the most part,
I have been very pleased.
I was a huge fan of your company until the unilateral DG decision to
force me to accept the photography included in "liquid library". This
material is completely useless to my business.
And now I have this awkward
bill collecting incident to add to my
Dynamic Graphics experience.
Your check is in the mail.
Rick Archer
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Summary
Ms. Mann
assured me "Liquid
Library is an all purpose image resource and
we try hard to include content that meets
the needs of all our customers."
That explanation left me deeply unsatisfied. For
the past 5 years, in order to receive the artwork I want, I
have been forced to accept a CD of useless photographs as well. I pay $80 a month for two CDs.
One CD is photography I don't need and don't want.
Assuming each CD is worth $40 (half of $80), that is a five-year waste of
$2,400. I could buy a great digital camera for that money.
You have seen examples of the photographs. What customer
needs these photographs?
This article marks the first time I have ever used a single
Dynamic Graphics photograph.
Isn't it ironic that I used them in order to demonstrate how
utterly useless they are?
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Just for the fun of it, I decided to try an experiment.
I selected a photograph from the November 2000 Dynamic Graphics photography
collection.
It was truly an eye-catching photograph for the ages: a hand, a pencil and a
piece of paper. Then, to make it really clever, a GLOVE plus
an attractive green background was included.
A professional photographer undoubtedly
spent years acquiring the skill to take a photograph of this
magnitude. How creative!!
And how many years of business school training did it
take some DG executive to acquire the skill so he or she could figure out a way to
force people to
pay MONEY for this picture?
|

DG Photo, Nov 2000 |
For the second phase of
the experiment, I attempted to create a similar picture using my
own meager Photography skills.
First I carefully assembled
the necessary items - paper, pencil - to duplicate the scene.
After much thought - maybe 2 seconds - I decided to skip the
glove.
Then I had to locate a hand.
I asked my daughter Samantha to come lend me a hand.
Sam was very reluctant. She explained that she had
no advanced training in posing for commercial photography.
I told her to calm down and not to worry. Sam was still
unsure. How much would she be paid? After some
wrangling, I persuaded her to help by saying, "Stick out your
hand if you ever want to eat using all your fingers again."
That ended all labor woes.
|

Guess Who |
I moved her hand to the
exact angle, then gently placed the pencil in her hand. We
were ready to go. I
picked up my four-year old $200 Sony Mavica digital camera,
turned the Flash to the "ON" position, aimed carefully and
delicately pressed the
camera button. Click.
Due to my inexperience in Photography, I stupidly assumed one shot
would be sufficient. I am sure a professional would have
been more thorough. I copied
the picture onto my computer hard drive and published it here on
my web site. The entire process took about
two minutes.
You be the judge of my work.
Now I admit there is an unanticipated blue shadow, but you know what? I like this photograph for
one reason in particular: It didn't cost me a single penny.
Maybe I should send Ms. Mann a copy. You don't suppose
she could get Dynamic Graphics to pay me $40 for it, do you?
|

A royalty-free photograph
of daughter's hand
taken by Rick Archer |
|
Letters to
the Editor
Letter One
-----Original Message-----
From: Katherine B
Sent: Thursday, August 30, 2007 4:21 PM
To: dance@ssqq.com
Subject: oh my goodness
Hi Rick,
I just wanted to tell you I stumbled on your Dynamic Graphics
letter and could not stop laughing!
I live right next to the Dynamic Graphics building in Peoria,
Illinois. I was just browsing the internet and came across
your letter. I actually interviewed with that company right
out of college, but I didn't get the job.
PS- I think your picture of the paper and hand was better. The
angle of your daughter's hand was so graceful! Have you ever
thought of going professional? -:)
Letter
Two
-----Original
Message-----
From: Corinne C
Sent: Sunday, May 18, 2008 7:33 PM
Subject: Clipper Artist "Chris"
Dear Mr. Rick Archer,
I would like very much to know if you have learned any more about
the amazing and secret artist that worked at Dynamic Graphics,
creating the clip art for their magazine. I too called to find out
more about the artist and got nowhere. Surely someone, somewhere,
knows something about this artist. I have been looking for some
artwork for years . Do you know where I can find his or her work?
Warmest regards,
Corinne C – graphic artist/designer
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