Silver Lining
Home Up Growing Pains


 

 

MYSTERY OF THE TEXAS TWOSTEP

CHAPTER ONE HUNDRED NINE:

SILVER LINING

Written by Rick Archer 

 

 
 


LIMBO MONTH THIRTY TWO
FEBRUARY
1982

A DIFFERENT PERSPECTIVE ON LIMBO

 

 

Jann's departure in February left two gaping holes in my life.  To begin with, I lost my best friend.  Ever since Crazy Jane's departure at the end of April a year ago, Jann had been my late-night drinking buddy.  We spent many a night chatting at the club after everyone had gone home.  I sorely missed her company.  I also lost my Social Director, the lady who made the beehive buzz. 

Now that Limbo had cost me yet another friend, my captivity was driving me to madness.  My studio had reached its highest pinnacle of success to date, but I was feeling melancholy.  Yes, I was happy for the studio, but my personal life was abysmal.  Since I had no idea when Victoria would decide it was safe to set me free, this constant waiting without a deadline was agonizing.  I was well aware the Reunion Tour could very easily crumble.  That was my biggest fear.  The vicious argument with Michael over Victoria's decision to continue teaching had been a close call.  Now I was on pins and needles with worry about another blowup.  My lack of control over the Peace Process weighed heavily on my mind.  Despite my choirboy behavior, the Reunion Tour could still fail.  When it came to Victoria, there were no guarantees.  The thought that all this waiting and good behavior could go for naught was a constant nightmare. 

Making matters more difficult, enticing women descended upon me from every direction.  I had not realized it till now, but Jann's frequent presence at my side had acted as a deterrent.  No woman wanted to flirt with my bodyguard seated next to me.  However, now that Victoria and Jann were out of sight, the coast was clear.  Any girl could approach with impunity.  When we danced, pretty girls made their intentions clear.  Come up and see me sometime.  Considering I had been celibate since last summer, these discrete invitations were akin to throwing a lighted match on dry paper.  Needless to say, I was climbing the walls. 

Here was the hard part.  Some of the things Jann said had made me feel downright foolish to remain loyal to Victoria.  To begin with, we both agreed Victoria was totally off base to insist I hang around.  Here she was living with her husband while expecting me to stick around as her spare tire boyfriend.  How ridiculous was that?  And then there was my belief in Karma.  I could still hear her words.

"Rick, even if there is such a thing as Karma, how do you know that your Karma forbids you from seeking a girlfriend?"

Good point.  Thanks to the doubt Jann had sowed, I was in constant turmoil over my stubborn decision to remain loyal to Victoria.  My abstinence problem was totally self-inflicted.  Here I was burning with desire, surrounded by nightly temptation, yet forced by my own decision to remain hands off.  During our talk about Free Will, Jann said I had no way of knowing if these were 'The Final Days' of Limbo.  Given Victoria's history of indecision, I could be in this same fix a year from now.  Maybe two years.  At the moment the end appeared to be in sight.  After all, they were living together.  However, one nasty argument was all it would take to derail the Grand Experiment. 

Sad to say, about the same time Jann left, so did the Winchester.  It had gone out of business due to mismanagement.  Sometimes it pays to try being nice to customers.  Hmm.  Now that's an original thought.  At any rate, we didn't miss the Winchester.  It had served its purpose as catalyst for our tight-knit dance community.  All we did was shift our loyalty to Texas and Dallas,  two Western clubs that were within walking distance of each other.  Both clubs had large dance floors and played the music we preferred.  In addition, we were met by friendly young men and ladies who worked at the front door.  They never failed to greet us warmly when we arrived.  The change in attitude was a welcome breath of fresh air after the recurring hostility of the Winchester management and clientele.  With Texas and Dallas serving just fine as our new hang-outs, the days of Beer Bust Night and Big Bubba faded into memory.  And so did Graduation Night.  Oh well.  It was fun while it lasted.  But it was not really needed anymore.  As long I continued to take my students with me to the dance clubs every night, Rodeo Romance continued to flourish.

One night I was at Texas in a foul mood.  Now that Jann had turned her back on me, my crutch was gone.  There was no one to cheer me up.  My loneliness was so acute that my vaunted self-discipline regarding women was at its lowest point ever.  Jann had failed to persuade me to end Limbo, but she had come close.  At the moment, the uncertainty regarding my prolonged abstinence was eating me alive.  Her arguments about rationalization and self-deception had definitely worn me down.  Maybe it was true I had only one life to live.  After all, that's what it says in the Bible.  If so, I had to be the biggest chump on earth to keep these women at arm's length.  As a parade of pretty girls sauntered past, each one smiling, each one waving, each one asking me to dance, my loneliness was more unbearable than ever before.  I thought about Liz all the time.  I still could not believe I had passed out just when the girl of my dreams had shown interest in me.  I was so desperate, I told myself the next girl to make a strong move could have me.  Fed up with my Limbo status, I was easy pickings.  She did not even need to be sexy.  If she was single and had most of her teeth, close enough. 

I had been popular back in the days of Pistachio, Cowboy and Winchester, but not like this.  One night my friend Chuck Clayton compared me to Elvis.  He was only half-joking.  Chuck complained that every woman who came over to speak to us was more interested in me than him.  The moment I appeared at a club, I was besieged with women begging for a dance.  It seemed like every smile tonight got under my skin.  Finally I couldn't take it anymore.  In frustration, I retreated to a corner to hide from all the attention.  It was not easy watching everyone but me fall in love on a nightly basis.  It was maddening to know I was the reason these people had the chance to find each other, but I didn't get to play.  Although I was happy for them, what about me?  When will it be my turn?

To tell the truth, after these long years of captivity, my bitterness was off the charts.  The irony was overwhelming.  I could not get over the fact that I began taking dance lessons in 1974 as a surefire way to meet women.  Having established the indisputable connection between Slow Dance and Romance, I took it for granted that if I could ever escape Limbo, I would never lack for the company of women again.  But when would my freedom come?  Considering my Dance Project had exceeded my wildest dreams, here I was eight years down the road and I still had no one.  I understood the concept of 'Delayed Gratification', but enough was enough.

 

As I sat there in the corner feeling sorry for myself, I noticed how much fun everyone was having out on the dance floor.  Struck by the camaraderie, I had an interesting thought. 

What if all this amazing energy I saw swirling before me on the dance floor was the ultimate goal of Limbo?

It crossed my mind that creating this romantic playground was exactly what I was meant to do all along.  With that realization, my attitude improved on the spot.  Considering the Cosmos had moved two mountains to place me in this leadership position, was it really asking too much for me to say thank you? 

I had always seen Limbo as a punishment of sorts for having the Affair.  Consequently it had never occurred to me there might be a positive slant to this.  Perhaps I had been placed in this weird life space so I could provide a valuable service.

This was a completely different way of looking at things.  Perhaps my unusual Limbo period of captivity was all part of the Plan.  Mind you, I did not appreciate being held captive one bit.  However, if the Universe wanted to find a way to make me more effective during the formative period of my studio, there could be no denying my constant tether to Victoria had worked to perfection.  Devious, yes, but wildly effective.  SSQQ was a supernova thanks to my loneliness.

 

If my time with Patricia and Victoria had taught me anything at all, girlfriends are uncomfortable when their honey-bunny dances with every woman in sight, especially if this included attractive women they did not trust.  Any time Patricia or Victoria was around, under their withering stare I danced a whole lot less than I did when I was there by myself.  When it came to Patricia and Victoria, the frowns, the sighs of frustration, crossed arms, dirty looks and sarcastic remarks greatly reduced my participation with the lady students.  Which is a shame because over time I had noticed the more often I danced, the more often everyone else danced as well.  Therefore I could see how my ridiculous Limbo situation had contributed directly to the success of the studio.  Lonely man cries for love, but has none.  And yet at the same time, my sacrifice had sent my Magic Carpet Ride soaring high above the clouds. 

There was another benefit to my isolation.  Despite my status as Sun King, for two years I had been unable to pursue the attractive women who orbited around me.  Since Victoria ignored me most of the time, that left Elvis with nothing to do at night.  After class, I would dance as a way to postpone returning to my dark home.  Along the way, these years of non-stop dancing had created a transformation in my personality.  Considering my difficult past as an awkward loner, much of my shyness had vanished.  Lo and behold, I was developing an outgoing personality.  Strangers no longer intimidated me.  My inability to make small talk was gone.  Thanks to two solid years of nightly practice, I could talk to anyone about anything.  As for the orbiting women, I couldn't get rid of them and I couldn't touch them, so out of necessity I learned how to become friends with them instead.  I would tease, I would flirt, I would compliment, I would ask her about her job, find out if she had children, where she grew up, how her boss treated her, what the studio needed to do to improve and so on.  I talked to students all night long when I wasn't dancing.  And I usually talked to my partner when I danced.  This kind of behavior had not been present during the Disco Era.  Indeed, I was almost startled by the extent of my new-found confidence.  Yet again I raised an eyebrow.  As much as I hated my captivity, I could not help but appreciate the personal benefit gained from nightly practice at dealing with people.

During this important two year stretch, my presence always stimulated the dancing.  Although I was not solitary by choice nor was I remotely happy about it, I had to admit my prolonged isolation dramatically enhanced my role as Leader of this community.  It was strange to believe it was my Karma to stay above the fray, but the results were indisputable.  In order to avoid going mad from loneliness, I had no choice but to go dancing after class four, five nights out of seven.  If I was fortunate to have a girlfriend to go home to, there is no way I would have spent this much time in the dance clubs.  That is why I began to wonder if my odd Limbo situation was a Fated Event.  I could see how staying free of romantic attachments made me an unusually effective leader.  Even the pestering worked to perfection.  The easiet way to avoid goo-goo eyes was to ask one lady after another to dance.  By staying busy on the floor, I was able to sidestep any particular girl who was trying to get close.  Meanwhile, as the Leader, I set the tone.  The more I danced, the more my friends danced.  Was this the point of Limbo all along?  If it was my Mission to run the studio, what better way to make me effective?

Yes, my loneliness was a bitter burden to bear, but I had to admit there was a Silver Lining.  If this ridiculous waiting period was part of the Master Plan, then give the Cosmic Architect a lot of credit.  It struck me that maybe I should add Limbo Captivity as another key piece in the Synchronicity which had created this amazing dance studio.  That said, I was ready to shed the mantle of constant loneliness.  The studio was established now and so was the Dance Community.  Now that Limbo had done its job, maybe the Universe would consider setting me free so I could put a swift end to my Epic Losing Streak. 

On the other hand, if running a dance studio is what God wanted me to do, then maybe I should stop crying in my beer and do my job.  Feeling a bit guilty for my pity party, I got up and asked the nearest girl to dance.  She smiled and offered her hand, so out to the floor we went.  Slow slow quick quick.  As jobs go, dancing with all these girls was really tough, but if someone had to do it, I was glad it was me.  With that comforting thought, a smile crossed my face.  I loved running my dance studio. 

 
 


LIMBO MONTH THIRTY Three
MARCH
1982

FEELING ABANDONED

 

 

Charlotte's Web is a classic children's novel by E. B. White published in 1952.  It told the story of a frightened little pig named Wilbur and his friendship with a barn spider named Charlotte.  Wilbur was afraid he was doomed to be carved up for breakfast.  Taking pity, Charlotte decides to befriend the pig.  After a great deal of thought, Charlotte spells the words 'SOME PIG!' in the middle of her web.  Claiming the message is a miracle, farmer Zuckerman tells the local minster. The news spreads, and people from all over the county come to see Wilbur.  By continuing to spin messages in her web, Charlotte convinced the farmer that he owned a special and unique pig, thereby saving the pig's life.

The end of the book contained a real tear-jerker.  Charlotte passed away as part of the cycle of life.  Fortunately Charlotte left behind a nest of eggs.  In the spring, Wilbur was delighted to meet a baby spider named Nellie who soon became his new best friend. 

So what exactly does Charlotte's Web have to do with dancing?  The loss of Jann Fonteno hit hard.  She was my 'Charlotte'.  Her disappearance forced me to learn another lesson the hard way.  I had gotten far too attached to her.  The beauty of the studio is that it allowed people to form close friendships over time.  However, when that friendship includes attractive people of the opposite sex, their friendship frequently turns to love.  That's the risk people take. 

Was I in love with Jann?  No.  But if I had allowed things to develop as they should have, I could see it happening.  Not only did I lose out on a potential love affair, I lost the one person I counted on to deal with a growing problem... the loss of many of my other close friends. 

Indeed, an unusual number of the Nifty Fifty were disappearing in droves.  Why?  A downturn in the economy and an upturn in serious relationships. 

 

Houston is the oil capital of the USA.  Unfortunately, Houston's economy began a major downturn in 1982 when the oil boom of the late 1970s and early 1980s turned to bust. 

For example, Jann's friend Debbie Oswald disappeared.  Where did she go?  Cincinnati for a job.  Debbie's friend John Cowen disappeared.  Where did he go?  Seattle for a job.  Chuck Clayton disappeared.  Where did he go?  Arizona for a job.   Craig Mason disappeared.  Where did he go?  Austin for a job.

As if that wasn't bad enough, SSQQ's ability to create romance backfired on me.  Rilla Ryan moved to Austin.  Why?  Because her boyfriend moved there.  Nor did it stop there.  What about John Varvaro, my bridge partner?  He left the studio when he met Liz Bashaw.  Stan Clark was a close friend who sold me the exquisite sound system I used at the Halloween Party.  Stan disappeared, taking Pam Silverblatt with him.  Where did Stan and Pam go?  Once they fell in love, dancing took a back seat in their lives.  Stan and Pam were not alone.  Lots of people disappeared for the same reason. 

I was distraught.  It is one thing for a Third Grade teacher to bemoan the loss of her favorite students.  But I took it much harder.  These people were not just my students, they had become my close friends through countless nights of dancing.  I had been to their homes for many nights of Labeling Parties.  I had played volleyball with them, charades, trivial pursuits, jigsaw puzzles.  My whole life was wrapped around these people and every loss hit much harder than it should have. 

Why?  Because I had no support system at home.  Victoria was no use, it was all about her.  So I depended on Jann.  However, now that she was gone, I had no one left to talk to on a personal basis.  It was a really tough break to lose her.

 

1982 was quickly becoming the year I learned a hard lesson:  People come and people go.  And that included people who were very important to me.  Say to say, I had invested far too much of my heart in these people.  Losing them hurt like hell.

 
 


LIMBO MONTH THIRTY Three
MARCH
1982

V-ANNA BANANA

 

 

Fortunately, the Universe could tell I was hurting because it sent me a new friend.  At my lowest moment a lady named V-Ann Noblitt appeared to take Jann's place.  I never got around to telling V-Ann that I considered her a gift from Heaven, but that's pretty much the way I felt about her.  V-Ann was my new 'Charlotte'.  We became so close I considered her a soul mate.  I had never met a more special woman.  V-Ann made me smile and laugh.  V-Ann was one of those people who are known as a 'giver'.  V-Ann's warmth radiated every room.  She lit up the night wherever she went. 

I might add that V-Ann did my self-esteem a world of good.  Not a day passed without V-Ann giving me a compliment of some sort.  For example, she loved to tease me about all the women I was fending off at the studio.

"Oh, Ricky, look at you go to town.  You are such a Rock Star!"

What did I ever do to deserve a friend like V-Ann?  I loved V-Ann from the moment we met.  She was like my sister.  I never met a kinder, sweeter woman in all my life.  If I had a choice of one woman on the planet to be my best friend, I would have picked V-Ann. 

Naturally I was curious about her hyphenated name.  I tried as hard as I could, but V-Ann refused to let me pry her real name out of her.  Her husband Bob was also a good friend.  Eventually I gave up trying to get V-Ann to fess up, so I asked Bob to give it to me instead. 

"Her name is Vahiba.  The name is part of her Lebanese heritage.  She hates that name, so don't ever let her know I told you and please don't spread it around."

I met V-Ann at the studio when she and Bob came to the studio to take Swing lessons.  One night I learned V-Ann and Bob lived just down the street from me in the Heights.  Once she realized we were neighbors, V-Ann would give me a call during the day and invite me over for coffee.  As I got to know her, I discovered she had the most amazing gift of kindness.  One day on the spur of the moment, I asked V-Ann to come work for me as my paid social director.  It was the smartest thing I ever did.  Her cheerful presence made Limbo so much easier to bear.  Not only did my loneliness disappear, the studio's social program never missed a beat when Jann left.

 

Out of respect for her name sensitivity, I called her 'V-Anna Banana'.  One day V-Ann asked me about her nickname. 

"Why do you call me V-Anna Banana instead of V-Ann?"

"Because it rhymes with Banana, my favorite fruit."

"Give me a better reason."

"Because you're swervy-curvy like a banana."

"You know that's not true.  I don't believe a word you say."

"Because bananas make me happy and so do you."

"Okay, that's better, but more likely because it rhymes with V-Anna."

I grinned.  "How did you guess?  If you prefer, I'll call you Savannah Banana."

"Oh no, I prefer V-Anna Banana."

Unfortunately, V-Ann got revenge by using her wicked sense of humor on me.  Which was okay because I deserved it.  Due to her good nature, I picked on her way too much.  V-Ann retaliated with nicknames of her own.  Lots of them.  Sometimes it was 'Leader of the Pack'.  Sometimes it was 'Johnny Angel'.  It did not take long for V-Ann to pick up on my weird avoidance behavior around women.  She could see me drooling, so why didn't I take action?  However V-Ann did not pry.  Instead she teased me at every opportunity.

"Oh, Johnny Angel, you're such a rock star!  The girls love you so much!  Can't you see they are in pain?  Don't be such a heartbreaker.  When you will ever stop tormenting them and let one of them catch you?  It would be so good for gossip and studio morale.  Besides, personally speaking, it would be reassuring to see you confirm your masculinity for a change."

 

Ouch!!  V-Ann did not stop there.  Her favorite dig was based on a song called 'Hey, Micky' by Toni Basil.  She liked calling me 'Hey, Ricky' because she knew it irritated me.  V-Ann used it as her secret weapon.  Whenever she thought my ego was getting too big, V-Ann would use a line from the song:

"Hey, Micky, you're so fine, you're so fine you blow my mind, hey, Micky!"

V-Ann would walk by when I was talking to someone at the club... usually a woman... and whisper, "Oh, Ricky, you're so fine you blow my mind!"  Whoever I was talking to would immediately grin and I would get rattled.  Not once did V-Ann break stride, so how was I supposed to retaliate?  As one can see, I had met my match.  V-Ann could give as well as take. 

 

V-Ann's best friend at the studio was Judy Price, my popular western dance teacher.  They had so much fun together it was ridiculous.  Both women had a terrific sense of humor.  Teasing and gossiping, they kept each other in stitches.  Judy and V-Ann were quite the power couple.  I always knew by the laughter where they were.  Unfortunately, sometimes they would gang up on me.  I never had a chance.  They kept me humble.

When V-Ann wasn't busy being a pain in the ass, she was the most phenomenal hostess I ever met.  Now that Jann was gone, the studio needed a new Mom, someone with a big heart.  I knew the instant I met V-Ann that she would be perfect for the role of Social Director.  Now that the studio had grown, my income was such that I could afford to hire V-Ann part-time.  She answered the studio phone four hours during the day and acted as the studio's social director at the dance club a couple evenings a week. 

V-Ann was born for the role.  She was everything I wasn't, a natural people person.  Unlike me, V-Ann liked the telephone.  She loved being paid to talk to people.  She had a feature known as 'Call Waiting'.  This allowed her talk as long as she wanted with a friend from the studio, but disengage whenever someone called for information.  Like her predecessor Jann, V-Ann loved to chat.  V-Ann was the consummate salesman.  She was so much better than me.  Ordinarily I would sell someone on the value of dance lessons, but V-Ann had a better idea.  She sold people on the value of the social program.  She used a clever slogan.  "Any boy who can dance has a chance!" 

If someone called up about dance classes, V-Ann had a well-rehearsed sales pitch. 

"Hey, I have an idea.  Why don't you come over to Texas tonight and check us out?  I'm going to be there, so come find me.  I will do my best to make you feel welcome!"

V-Ann knew if she could get the newcomer to show up at the club, she could close the deal.  The moment she saw a stranger, she assumed it was probably the man or woman she had spoken to on the phone.  V-Ann would walk up and inundate the guest with affection. 

"How ya doin'?  Thanks for coming!  It is so great to meet you!"

After greeting the newcomer, V-Ann would invariably say something silly to put them at ease.  "Gosh, you are so much better looking than you sounded on the phone!"  Or "What a cute dress.  Just wait till the boys meet you!"

The Big Hello did not stop there.  V-Ann had a surprise waiting for them.  She had a secret Welcoming Committee.  They were V-Ann's co-conspirators, friends who shared her gift for greeting.  The members of the Welcoming Committee would vary throughout the night.  After dancing for a while, they would come over to chit-chat.  When a newcomer showed up, V-Ann would make the initial contact.  Since V-Ann had spoken to the newcomer on the phone earlier in the day, she picked up right where they left off.

The next thing the newcomer knew, V-Ann would introduce him or her to several SSQQ students in the vicinity.  Mind you, there were ALWAYS several students hanging around V-Ann.  Why?  Because they wanted to be the first to meet the newcomers and V-Ann held the key to their Love Life.  So here is how it worked.  When someone new showed up, V-Ann would say hello.  Once a rapport was established, V-Ann would pick someone the 'Committee' and drag them to the guest.  If V-Ann saw the newcomer smile, then came the big surprise.  V-Ann would casually make a suggestion.

"Gosh, Jeff, why don't you ask Maria to dance??"

Or she would call an experienced lady over, someone like Judy Price, and work the same shtick in reverse. 

"Gosh, Judy, why don't you ask Jonathan to dance??"

Of course the newcomer would protest and be afraid, but the nearby Welcoming Committee spectators would not take 'No' for an answer.  Thanks to peer pressure from V-Ann and the cohorts who were in on the scheme, sooner or later the newcomer would give in.  Invariably we would all grin as the beleaguered newcomer reluctantly went out there under protest.  They would scream, "But I don't know what I'm doing!!!"

There were usually three or four newcomers on any given evening who succumbed to V-Ann's infectious charm.  These newcomers never caught on that the nice people hanging around with V-Ann were part of her secret cabal. 

Thanks to lots of encouragement and coaching from their kind mentor, by the end of the song the guest would be in love with dancing, in love with SSQQ, and VERY INTERESTED in the man or woman who volunteered to be their dance partner.  V-Ann had a real knack for putting the right person with each newcomer.  That was just who she was. 

What a great way to break the ice!  The whole set-up was brilliant.  It was so smooth that newcomers quickly felt at ease.  Not once did they realize something sneaky was going on.  V-Ann's friends were happy to volunteer their time.  First of all, our students liked to help the Dance Community grow.  Second, there were enough 'Love at First Dance' stories to make the mentors realize being nice to newcomers was an enlightened form of self-interest.  V-Ann had such a reputation for matchmaking that every night several men and women made sure to let her know they were available for escort duty. 

 

 

I could tell that V-Ann's husband Bob adored her.  Bob was a bit on the shy side, so it was a case of 'opposites attract'.  Bob and V-Ann teased each other all the time.  For example, it would be V-Ann's night to greet people at the dance club.  Sometimes Bob joined her, sometimes he didn't.  If Bob decided to stay home, I would come over to give V-Ann a ride.  I would crack up at some of the things I overheard.  V-Ann would say, "Bye bye, Bobby, it's time for me to see my boyfriends and get my hugs.  Don't be jealous!"

Bob would just roll his eyes.  There was complete trust between them.  Bob once confided something very touching about his sweet wife. 

"As long as I have known Vee, she has been a loving, outgoing, generous person who always seems to be helping others.  She will never tell you this, but she has a history of fighting debilitating illnesses.  Due partly to these illnesses, she has been cursed with a lifelong weight problem.  You have no idea how hard she works to keep the weight off, but no amount of jazzercise and dieting seems to conquer the problem.  What I admire about Vee is how she maintains her cheerful outlook despite her handicap and frustration."

V-Ann quickly became the most beloved person in the history of the studio.  I am not exaggerating.  Her modesty, warmth and kindness was a gift that made people feel totally at ease.  Not only that, she kept people in stitches with her funny wisecracks.  I don't know what it is about suffering, but I think it made V-Ann unusually sensitive to the needs of others.  At the risk of embarrassing her, there was a saint-like quality about V-Ann.  I always felt better when I was around her.  Just to talk to her was a blessing. 

One day I noticed a quote hanging on her refrigerator door.  It was a quote from the Methodist cleric John Wesley:

"Do all the good you can, by all the means you can, in all the ways you can, in all the places you can, at all the times you can, to all the people you can, as long as ever you can."

V-Ann lived that motto to the fullest extent.  She was the most caring, unselfish woman I ever met.  I loved her dearly and so did everyone else. 

 

 

 


THE TEXAS TWOSTEP

CHAPTER ONE HUNDRED ten:  GROWING PAINS

 

 

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